Sara Cubarsi
Sara is a performer-composer integratively working with tuning, bells and wax paintings. Current interests also include digital processes of saturation and distortion, experimental doom metal, and new music for period instruments. She usually plays violin, but also: viola d’amore, tromba marina, hardanger fiddle, baroque violin and pochette.

Featured work
La Langues de Gargouilles (2023) – duo for natural horn, retuned e-keyboard, prepared piano and gong • audioscore

Exvot IV (2018) for self-accompanied howling violinist, bells, keyboard, sound projectionist, and two melting paintings • video

Sei Bach-Intonazioni IIa, Grave (Bach / Marc Sabat 2010/17) demo recording, Berlin • audio